The serious film award contenders and outsiders.
Make the Case lists choices chronologically, rather than in any order of quality. Picks reflect film acting roles only. If the actor in question also directed the movie, that’s purely a coincidence, and it plays no part in the film’s inclusion.
HN Entertainment has been able to confirm that filming on Matt Reeves’ The Batman will indeed be taking place at Warner Bros. Studios Leavesden.
The Doomsday Clock has finally struck the hour, signaling to HBO that it’s time to unveil a full trailer for Damon Lindelof’s WATCHEMEN series.
best film: Vertigo. There are four Jimmy Stewart masterpiece films to choose from including It’s a Wonderful Life, Rear Window, The Man Who Shot Liberty Valance, and Vertigo.
Okay, say what you will about the prequel trilogy: it’s long, it’s self-indulgent, it’s a baroque mess of green screen madness and confusing political mumbo jumbo. But for all its faults, George Lucas actually gave us some incredibly cool new characters for the Star Wars canon. And we’re not talking about Watto.
Take this as you will: Todd Phillips’ Joker is exactly the kind of movie the Clown Prince of Crime would have wanted. Vicious, dangerous, transcendent, it’s the boldest and most shattering addition to the comic cinema canon since The Dark Knight.
Pokémon‘s popularity isn’t just confined to video games. So popular is the storied franchise, in fact, that real-world stores specializing purely in selling goods adorned with Pikachu’s adorable face exist in nearly every continent.
Roulette is no accident the queen of gambling. Without it, it is difficult to imagine a modern online and offline casino. To solve the secrets of this game is trying to more than one generation of fans of gambling entertainment. Despite the rapid development of science and technology, many users, seeking to win, trust the …
By and large, I don’t really give a single flying fuck about famous acting families. A lot of them, I think the world would be happier without. The Baldwins are a good example of that thought.
There’s a palate-cleansing lucidity and sobriety to this interesting movie, a narrative triptych, showing three intimate scenes of English (and German) life, from 1944, 1982 and 1996: snapshots of home-front life influenced by war, notionally separate scenarios but interconnected by an unstressed generational thread.